On the interior they used all plywood and just painted it white from the floor to the walls. It's simple and low maintenance - cottage all the way. Throw in an old school wood burner, grab some local wood and you have your heat for the winter.

On the interior they used all plywood and just painted it white from the floor to the walls. It's simple and low maintenance - cottage all the way. Throw in an old school wood burner, grab some local wood and you have your heat for the winter.

I really like how they utilized some subtle accents in this bath. They take the white pebble mosaic from the shower floor and carry it through as a border in the rest of the bath - nice. Also, I’m not usually a fan of tile base in a bath but this I thought was badass – the tiny line of pebbles in the tall base.
Two more things I’m all over in this bath. The built-in warming drawer (usually seen in the kitchen and to keep food warm) instead of the towel (bar) warmer and if you look close you can see they used a wall mounted faucet and filler for the tub. Little things. Different things. Creative things.

In the top picture, you'll see an iron railing and cable in the foreground. That's the set of stairs in the photo above which originally lead to the cellar. It is now converted into an office. A vision and a little inspiration can go a long way.
This is an original barn hayloft converted into a library. It is a sweet open space with a really cool color contrast and a great collaboration of rustic materials with modern finishes. A nice touch with the sleek horizontal metal cables serving as the railing, and I like how the dark beams against the white walls give a the room solid depth.
This I thought was a cool shot of the original barn flooring. Old school and crafty. Each step utilizes a different thickness and the risers run both horizontally and vertically. I’m a sucker for small, custom details.
Photos by Stacy Bass via Rosemary Hallgarten's Blog


To cap off a weeks worth of posts on architecture/building relationships, I thought I'd end on this note. A good architect knows how to take existing components and create something truly unique. So how do you take it to another level? You need more than just mechanics, and there is no way to build with just one craftsman. The architect/builder relationship plays such an important role in the ability to identify solid resources, gather the necessary parts and build something that matters.
Ruard Veltman Architecture is a firm based in Charlotte, NC. They have a great sense of style and understanding of their project. All are great qualities you want from your architect. And they are an architecture firm that is still doing all of their work by hand. I love it. I've come across their work various times while researching ideas, and they have a great range on classic historical styles from english craftsman to dutch farmhouse.
This is an example of a Mushroom house in Charlevoix, Michigan. The "mushroom" style seems to just evolve right out of the ground and their roofs take on the shape of a mushroom. The craftsmanship in these homes is bad ass, especially coming from a guy with no formal architectural background. His name is Earl Young. The emphasis of the design is based on handcrafted materials. The style is influenced by the Arts & Crafts movement. This particular remodel was by Dufner Heighes architects, the builder is Glenwood Custom Builders. Both the architect and builder have some really good interior shots on their sites.
Architects play a vital roll in our business. You must have a solid relationship and be able to communicate and share ideas. The relationship is crucial to the entire process whether the architect is hired by the owner or the general contractor. I've been following a residential architect by the name of Bob Borson, he writes a blog called Life of an Architect. In addition to the insightful, humorous and whimsical posts he puts out, he's currently running a series on 'Selecting a Contractor' and I really think it's so well written and beneficial for anyone looking to start a project. People need to do their homework. Check these out. Here's part I and part II.
A sweet little Seaside, Florida coastal design by Robert A. M. Stern. Here's a smaller lot that makes a crazy statement with the design and detail throughout. Nice work too from the tile and hardwood to the softer, warmer tones. The custom woodwork from floor to ceiling is killer. I'm pretty sure every ceiling in this place is finished in wood and has a crazy pattern.


This is a late 1920's board-and-batten farm cottage just outside of Savannah, Georgia that was once owned by Henry Ford. It was to be torn down and the couple that purchased it had second thoughts. They did a sweet job preserving and renovating this little historic nugget. I love places with history. Check out some of the photos.
The wife and I went to Santorini, Greece a few years back with some friends. It was amazing. The architecture is crazy because it is so rich in tradition and so unique. The houses and buildings were all white washed. Cooler colors = cooler temperatures. This house is completely white inside and out. And, the driftwood mirror below is pretty bad ass too. Mythos anyone?





It just got cold where we are in the Midwest. Not a total complaint because it's been pretty nice but it seems like with a lot of our projects we are working on outdoor spaces. I can't say that retractable screens are my favorite but they have certainly come a long way. Phantom Screens is putting out some pretty cool products. They have a newer line with more versatility on the market and if you can incorporate and conceal the housing then you could end up with a system like the photo featured above. The screen comes right out of the ceiling and glides right down the track that's been recessed right into the stone pillars. It's a sweet little operation. And, if you're hooked up with some home automation you can sync directly to the system. It will then react based on climate conditions or time of day.
A lot of times the fireplace is the focal point of the room, or the house for that matter. In this particular Washington D.C. home it runs through all 4 floors. They did a really nice job embracing the fireplace here. It's always going to make a statement so work with it not against it. The size and feel of the archway between the two rooms along with the taller wainscot and detailed trim molding help to soften the mass of the fireplace. The open feel of the hallway and this sitting room is perfect and allows great natural light. I also like the transition of hardwood to blue stone flooring.